A compendium of the Blackwood Gallery's exhibitions and projects in 2010 and beyond.
Book
188 Pages, full colour, softcover, 19cm x 24cm
ISBN 978-0-7727-8211-3
Published by
Blackwood Gallery (University of Toronto Mississauga) in 2012
$5.00
WOOD TWO
In conjunction with the launch of SONIC SOMATIC: PERFORMANCES OF THE UNSOUND BODY
By Blackwood Gallery Director/Curator Christof Migone
Saturday September 15, 4 - 6pm
Art Metropole
1490 Dundas Street West, Toronto
Second part-catalog, second part-magazine, second partannual report. Second time around the problems are all fixed. Or we failed again. But better. Wood two. Wood too. The first wood covered two thousand and nine. This one covers two thousand and ten. With some spillage onto two thousand and eleven. We spent the rest of that year and the better part of this one on assembling and editing this retro-, intro- and pro-spective book. The cover of this one is green. Still on paper. The blackwood tree remains cut, fallen, thinned and flattened for the sake of the page. Not as replete as the first wood. Or at least not as frenetic. But we have gone further afield from the kernel of this publication series, which is to present, document and reflect the exhibitions and projects produced by the blackwood gallery. This time there are longer texts, more material to ruminate on. A profusion of threads are followed past their initial trigger points in our gallery spaces. There is even a text reviewing a publication produced by another gallery. A number of commissions too, specific to wood two, are included. Also, worthy of note, an apocryphal tone drifts through several entries (at both conceptual and concrete levels). They mine the fiction of the factual all the way to the fact of the fictional. Strawberry fields. The first wood speculated on the eventual appearance of wood two. Whether it indeed exists now or not is not for us to determine. It is in your hands now.
INDEX p.006
AS WELL AS (AN INTRODUCTION) p.008
By Christof Migone
SLOW PAN 5PM TO 9PM p. 010
By Karen Henderson
I THINK THEREFORE I FOLLOW: THE SEQUITUR PRINCIPLE IN CONTEMPORARY CONCEPTUAL PRACTICES p.016
By Christof Migone
FOLLOWING FOLLOWING PIECE p.026
By Thérèse Mastroiacovo
VITO ACCONCI INTERVIEW p.038
By Christof Migone
READING THE MARGINS: A "FOOTNOTE REVIEW" OF DOCUMENTARY PROTOCOLS p.048
By Adam Lauder
CONCEPTUAL PRACTICES IN CHARLOTTE COUNTY, NEW BRUNSWICK IN THE EARLY 1970S: PROVINCIALISM, PARA-MARGINALITY, AND BEYOND p.060
By Simon Brown
ARTFORUM ADVERTISEMENT SERIES p.070
BY Mba Fabrications Inc.
DENNIS OPPENHEIM AND PHOTOGRAPHY: THOUGHTS ON READING POSITION FOR A SECOND DEGREE BURN p.080
By Louis Kaplan
HOW TO WRITE A BLACKWOOD ARTICLE p.086
By Edgar Allen Poe
NO IMAGES p.092
SYMPHONIC POEM FOR 100 STROBE LIGHTS p.102
By Alex Snukal
SAVE FOR WEB p.106
By Jennifer Chan
THE PROJECTS: PORT CREDIT p.108
AN ARCHEOLOGY OF THE SHOWROOM: THIS MODEL SOCIETY p.140
By Etienne Turpin
LOCATION!LOCATION!LOCATION! p.148
By Christine Swintak and Don Miller
EXPLODED DRAWING p.158
By Seth Scriver
BIOGRAPHIES p.178
INDEX p.183
COLOPHON p.184
BOOKENDS: LADY FROM FRONT AND LADY FROM BEHIND
By Amy Lockhart
NOBILITY SOLID STATE WALKIE-TALKIE BACK
By Darsha Hannah Hewitt
COUCHES FOR SOME READERS
By Paola Savasta
Vito Acconci
Adam Bobbette
Simon Brown
Jennifer Chan
Ryan Driver
Sarah Febbraro
Peter Flemming
Claudio Ghirardo
Karen Henderson
Darsha Hannah Hewitt
Sonja Hidas
Louis Kaplan
Jacob Korczynski
Adam Lauder
Amy Lockhart
Annie Macdonell
Gwen Macgregor
Thérèse Mastroiacovo
Mba Fabrications Inc.
Christof Migone
Don Miller
Pablo De Ocampo
Alexis O’Hara
Mary Margaret O’Hara
Seth Porcello
Fedora Romita
Cheryl Rondeau
Paola Savasta
Seth Scriver
Alex Snukal
Derek Sullivan
Christine Swintak
Etienne Turpin
Jessica Vallentin
Editor: Christof Migone
Editorial assistants: Julia Abraham, Juliana Zalucky
Copy editor: Rosemary Heather
Photo Credits: Toni Hafkenscheid (unless otherwise noted)
Graphic Design: Matthew Hoffman
Printing: SONIC PRINT, Markham, Ontario
To order any of our publications, please send an email including title(s), number of copies, and your mailing address to: michael.dirisio@utoronto.ca
A 20% discount is available to students and members of the Ontario Association of Art Galleries.
|
|
|
|
|
|